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A review

"Bruno Sodini's conception clearly abandons the field of common figurative imitation in order to employ a certainly unusual symbolic function, that of abstract appearance. But at a closer look, the definition of the forms seems to regard, in analogic terms, the facts of nature, a cosmic taste, astral if you will, and touched with a hint of surrealism. Without which one could exclude more direct references to the commonplace world where we seem to take a real interest in natural elements: such as germinal forms, swellings and concretions that suggest the idea of the life that one creates, understood in its generative tremor, pulsating, awaiting the exploding and the blooming in the clarity of complete forms. Therefore I repeat, it is not as much for the direct transcription as it is for the explanation of the iconic virtue innate in the imagined object, like a message of a biological energy that moves the forms of the being."